Prop TV Board: Large - 76.4
Prop TV Board: Large - 76.4" + Pure Oak
Prop TV Board: Large - 76.4
Prop TV Board: Large - 76.4" + Black Oak
Prop TV Board: Small - 59.1
Prop TV Board: Small - 59.1" + Black Oak
Prop TV Board: Small - 59.1
Prop TV Board: Small - 59.1" + Pure Oak
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Karimoku New Standard × Big-Game

Prop TV Board

$2,815 – $3,100

$2,815 – $3,100

$2,815 – $3,100

$2,815 – $3,100

$2,815 – $3,100

$2,815

SKU: KNS-Q343KEM000

Average lead time: 10-12 weeks

$2,815

SKU: KNS-Q343KEME

Average lead time: 10-12 weeks

$3,100

SKU: KNS-Q343PEM000

Average lead time: 10-12 weeks

$3,100

SKU: KNS-Q343PEME

Average lead time: 10-12 weeks


Description

Prop offers the low-slung TV Board as an extension of the “robust but uncomplicated” sideboard series, as characterized by its trio of designers at Big-Game. Screens and electronic components get pride of place with the geometrically proportioned cabinet equipped with removable sliding doors for either hidden storage or open display. Painstakingly crafted to Karimoku’s renowned benchmark in sustainably sourced Japanese oakwood with a matte finish on all sides.  

Specifications

Size

  • Small: 18.5" h x 59.1" w x 16.5" d (47x150x42cm)
  • Large: 18.5" h x 76.4" w x 16.5" d (47x194x42cm)

Material

Oak

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Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”


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