Cho Light: Small - 9.8
Cho Light: Small - 9.8" + Low
Cho Light: Small - 9.8
Cho Light: Small - 9.8" + Low
Cho Light: Large - 14.8
Cho Light: Large - 14.8" + Low
Cho Light: Large - 14.8
Cho Light: Large - 14.8" + Low
Cho Light: Small - 9.8
Cho Light: Small - 9.8" + High
Cho Light: Small - 9.8
Cho Light: Small - 9.8" + High
Cho Light: Large - 14.8
Cho Light: Large - 14.8" + High
Cho Light: Large - 14.8
Cho Light: Large - 14.8" + High
Cho Light: Small - 9.8
Cho Light: Small - 9.8" + High
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Established & Sons × Dimitri Bähler

Cho Light

$1,770 – $1,870

$1,770 – $1,870

$1,770 – $1,870

$1,770 – $1,870

$1,770 – $1,870

$1,770

SKU: EST-7007/7004

Average lead time: 1-3 weeks

$1,870

SKU: EST-7010/7004

Average lead time: 1-3 weeks

$1,770

SKU: EST-7007/7207

Average lead time: 1-3 weeks

$1,870

SKU: EST-7010/7207

Average lead time: 1-3 weeks


Description

“It’s discreet but has a personality at the same time,” says young Swiss designer Dimitri Bähler of his linear floor lamp. Cho Light begins with a startlingly thin carbon-fiber rod made possible by cutting-edge manufacturing techniques. Then Dimitri employs Japanese Washi paper for the luminous orb, in an arresting juxtaposition of technology and tradition.

Specifications

Size

  • Low:
    • Small: 55.1" h x 9.8" dia (140x25cm)
    • Large: 60" h x 14.8" dia (152.5x37.5cm)
  • High:
    • Small: 72.8" h x 9.8" dia (185x25cm)
    • Large: 77.8" h x 14.8" dia (197.5x37.5cm)
  • Cable length: 59.1" (150cm)

Material

Powder-coated steel, magnetic fixings, carbon fiber, lacquer, washi paper, pyrex glass

Technical

  • Contact us for UL details
  • E12
  • Color temperature: 3000K
  • Dimmable
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Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.


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