Designer Søren Rose's Leonard Chandelier for Menu is the extravagant grace note to his singular Tribeca collection. His series draws on both the 1930s-era glamour of New York and the industrial sway of lower Manhattan. The template was set when Søren started playing around with vintage lamp parts he had collected in his travels and new combinations emerged. The Leonard, a showstopper in polished solid brass, is both as cutting-edge and yet timeless as the downtown environs that were its inspiration.
- 6" h x 18" dia (15x46cm)
- Cord length: 196.7" (500cm)
Brass, powder-coated steel
- Contact us for UL details
- Bulb not included
From lighting and furniture, tabletop to bath, the wide offerings of Menu speaks to this Copenhagen-based company’s guiding quest for functional originality. “It’s about creating aesthetically pleasing designs that evoke true feelings as well as improving processes in people’s daily lives,” says Menu founder Bjarne Hansen. This is also reflected in its stable of influential creatives including Norm Architects, Afteroom Studio, Jonas Wagell and Krøyer-Sætter-Lassen among others standouts.
Menu is just as dedicated to responsible manufacturing as innovation. Working to locate new partners in developing countries around the world, the company searches out local factories or small private co-operations to turn out high quality goods and also provide a better economic foundation for the people involved in that production.
Søren Rose Studio
Fedora-loving Dane Søren Rose had worn many proverbial hats in his past career as a creative director, casting agent and web entrepreneur before establishing his eponymous design studio in New York (with a branch in Copenhagen.) Handling architecture, interiors and product design, he says, “we worship high quality and sustainable materials and approach our work with both traditional and innovative craftsmanship.”
With designs for notable companies such as Muuto and Menu, the prevailing aesthetic often juxtaposes a clean Nordic heritage with the grittier sensibility found in lower Manhattan. One telling example is the studio’s overhaul of a classic 1974 AirStream, its classic-Americana exterior restored while the interior got a Scandinavian-style makeover, down to a wood floor from 115-year old Danish firm Dinesen. Though Søren reveres past design icons Arne Jacobsen and Verner Panton, he also rallies support for newer talents, challenging clients: “When was the last time you bought a design of an emerging designer?"