Manila T Pendant Light: Large - 15.9" + Graphite + Black

Manila T Pendant Light: Large - 15.9" + Golden + Transparent

Manila T Pendant Light: Small - 10.8" + Graphite + Black

Manila T Pendant Light: Small - 10.8" + Golden + Transparent

Manila T Pendant Light

insitu

Manila T Pendant Light: Large - 15.9" + Graphite + Black

Manila T Pendant Light: Large - 15.9" + Golden + Transparent

Manila T Pendant Light: Small - 10.8" + Graphite + Black

Manila T Pendant Light: Small - 10.8" + Golden + Transparent

Manila T Pendant Light

insitu

Parachilna × Sebastian Herkner

Manila T Pendant Light

$950 – $1,550

$1,550

SKU: PAR-145030140929

$1,550

SKU: PAR-145030140930

$950

SKU: PAR-144030140929

$950

SKU: PAR-144030140930

Question? Email us

Spec Sheet

Description

Designer Sebastian Herkner’s artisanal blown-glass pendant with a plissé textile diffuser was suggested by a flamenco dancer’s traditional silk shawl, the "Mantón de Manila.” The addition of a fabric layer lends texture and shadow play while it gently filters the illumination. Barcelona-based Parachilna offers Manila in 2 sizes, in either matte gold or graphite electroplated steel with the inner fabric diffuser in beige or grey fabric and the blown glass outer in transparent or blackened transparent glass.

Specifications

Size

Small: 10.8" h x 9.8" dia (27.4x24.9cm)
Large: 15.9" h x 16.5" dia (40.4x41.9cm)
Cable length: 98.4" (250cm)
Canopy: 5.5" dia (14cm)

Material

Steel, glass

Details

ETL listed
E26
Color temperature: 3000K

Brand

Parachilna

Though based in Barcelona, Parachilna’s origins actually stretch all the way to its namesake, a desert ghost town in Australia. A random stop there years ago inspired Alfredo Valero and Roman Riera to eventually create a luxury lighting company dedicated to enduring craftsmanship, aided by European metalsmiths, glass blowers, ceramicists and other skilled artisans.

Collaborating with such notable modern designers as Jaime Hayon and Neri & Hu, partner Alfredo explains Parachilna’s purposeful process. “We don’t use industrial techniques,” he says. “Everything revolves craftsmanship, which means that there is a lot of work, from prototyping to finishing. When we say, ‘We don’t like it,’ we start all over again.”