Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
Form Tea Pot: Brass
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Tom Dixon

Form Tea Pot: Brass

$260

SKU: TD-FORTP01BR

Average lead time: 4-6 weeks


Description

For an Englishman, a teapot is as essential as “Rule, Britannia!” And Form—handmade from spun brass, polished and then dipped in a warm gold wash—aptly puts a modern spin on tradition. Designer Tom Dixon’s logo is proudly etched on the base of the matte-finish tea pot with its contrasting black Bakelite insulating handle. 

Specifications

Size

  • 9.4" h x 5.5" w x 5.3" d (24x14x13.5cm)
  • Capacity: 750ml

Material

Brass

Details

Not dishwasher safe

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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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