Slab Individual Desk: Natural Oak
Slab Individual Desk: Natural Oak
Slab Individual Desk: Fumed Oak
Slab Individual Desk: Fumed Oak
Slab Individual Desk: Natural Oak
Slab Individual Desk: Natural Oak
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
Slab Individual Desk
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Tom Dixon

Slab Individual Desk

$2,300 – $3,300

$3,300

SKU: TD-SLD01FU

In stock and ready for quick ship!

$2,300

SKU: TD-SLD01NA

In stock and ready for quick ship!

$2,300

SKU: TD-SLD01BL

Average lead time: 4-6 weeks


Description

Tom Dixon reaches way back into England's past for a versatile contemporary work station based on a Victorian school desk. With softly rounded edges and sleeker proportions, Tom carries the idea through even to the traditional inkwell rethought as a cable management hole and a handy groove for pens and pencils. Slab's proportions also suit the limited space of a home office or placement in a hotel room—and it also makes for a wonderfully modern, non-frilly makeup table.

Specifications

Size

  • 29.5" h x 47.2" w x 23.6" d (75x120x60cm)
  • Cable management hole: 2.4" dia (6cm)

Material

Oak

Details

Also available made to order in solid birch

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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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