Spring Pendant Light: Brass + Large - 39.4
Spring Pendant Light: Brass + Large - 39.4"
Spring Pendant Light: Brass + Medium - 31
Spring Pendant Light: Brass + Medium - 31"
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
Spring Pendant Light: Brass
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Tom Dixon

Spring Pendant Light: Brass

$950 – $2,560

$2,560

SKU: TD-SPP06BUL

In stock and ready for quick ship!

$1,550

SKU: TD-SPP05BUL

In stock and ready for quick ship!

$950

SKU: TD-SPP04BUL

In stock and ready for quick ship!


Description

Pliant ribbons of stainless steel fan out around a custom Tom Dixon LED ring in this multiway pendant. Spring's airy formation can be adjusted to a variety of shapes—a flatter one that's reminiscent of a spirograph drawing, a "flying-saucer" configuration or a fuller silhouette akin to a pumpkin. Plated in a warm brass finish and available in 3 sizes, the spiral design allows the voluminous shade to be easily flat-packed for moving.

Specifications

Size

  • Small: 9.4" h x 22" dia (24x56cm)
  • Medium: 17.7" h x 31.1" dia (45x79cm)
  • Large: 27.6" h x 37.4" dia (70x95cm)
  • Cable length: 98.4" (250cm)

Material

Stainless steel

Technical

  • UL listed
  • LED
  • Dimmable
  • Bulb included
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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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